Danielle Gorodenzik (curate.png) is a writer and independent curator completing her M.A. in Curatorial Studies at Bezalel Academy of Art and Design. Gorodenzik holds a B.F.A. in Communication Design from Parsons The New School of Design. She is the Art Editor for Telavivian Magazine, Co-founder of In Print Jerusalem Art Book Fair, and the Content Manager at Tiroche DeLeon Collection. She previously served as the Program Assistant at Artis in Tel Aviv where she organized curatorial research trips to Israel, artist career development initiatives, and the Artis project grant program.
She has worked at Braverman Gallery, Israel Museum, Fresh Paint Art Fair #8 & #9, and Museum of Bat Yam. Gorodenzik has participated in Goldsmiths Curatorial Intensive Course, and Valletta 2018 Curatorial School (2016).
You can follow her at @curate.png on instagram.
Danielle Gorodenzik (curate.png) is a writer and independent curator completing her M.A. in Curatorial Studies at Bezalel Academy of Art and Design. Gorodenzik holds a B.F.A. in Communication Design from Parsons The New School of Design. She is the Art Editor for Telavivian Magazine, Co-founder of In Print Jerusalem Art Book Fair, and the Content Manager at Tiroche DeLeon Collection. She previously served as the Program Assistant at Artis in Tel Aviv where she organized curatorial research trips to Israel, artist career development initiatives, and the Artis project grant program.
She has worked at Braverman Gallery, Israel Museum, Fresh Paint Art Fair #8 & #9, and Museum of Bat Yam. Gorodenzik has participated in Goldsmiths Curatorial Intensive Course, and Valletta 2018 Curatorial School (2016).
You can follow her at @curate.png on instagram.
Danielle Gorodenzik (curate.png) is a writer and independent curator completing her M.A. in Curatorial Studies at Bezalel Academy of Art and Design. Gorodenzik holds a B.F.A. in Communication Design from Parsons The New School of Design. She is the Art Editor for Telavivian Magazine, Co-founder of In Print Jerusalem Art Book Fair, and the Content Manager at Tiroche DeLeon Collection. She previously served as the Program Assistant at Artis in Tel Aviv where she organized curatorial research trips to Israel, artist career development initiatives, and the Artis project grant program.
She has worked at Braverman Gallery, Israel Museum, Fresh Paint Art Fair #8 & #9, and Museum of Bat Yam. Gorodenzik has participated in Goldsmiths Curatorial Intensive Course, and Valletta 2018 Curatorial School (2016).
You can follow her at @curate.png on instagram.
Danielle Gorodenzik (curate.png) is a writer and independent curator completing her M.A. in Curatorial Studies at Bezalel Academy of Art and Design. Gorodenzik holds a B.F.A. in Communication Design from Parsons The New School of Design. She is the Art Editor for Telavivian Magazine, Co-founder of In Print Jerusalem Art Book Fair, and the Content Manager at Tiroche DeLeon Collection. She previously served as the Program Assistant at Artis in Tel Aviv where she organized curatorial research trips to Israel, artist career development initiatives, and the Artis project grant program.
She has worked at Braverman Gallery, Israel Museum, Fresh Paint Art Fair #8 & #9, and Museum of Bat Yam. Gorodenzik has participated in Goldsmiths Curatorial Intensive Course, and Valletta 2018 Curatorial School (2016).
You can follow her at @curate.png on instagram.
video greenhouse fresh paint art fair #10
no frontiers
The four video works selected for the Video Greenhouse of Fresh Paint Art Fair 10 explore geographical, conceptual, and psychological boundaries and representations of memory. What are boundaries made of? What are the limits between imaginary and conventional frontiers? By giving a face and a voice to an anonymous figure, the artist Roni Karfiol (The Aegean Sea, 2016) questions our perception of the refugee crisis and the role that technology plays in the way we relate to this issue. Differently, Tal Ilan (Untitled, 2016) confronts the boundaries of the psychiatric system – as well as her own limits – through repetitive phone calls. Subverting gender conventions by featuring women who recite the Kaddish (Kaddish, 2017) in their own individual harmony, Yael Serlin highlights the power of words and the ambivalence between the individual and the collective significance of this ritual. In the animation video War Marks (2017), Meshi Koplewitz reconstitutes a narrative from her childhood memories in the kibbutz, near the borders with Syria and Lebanon. The artist underlines the ambivalence of these episodes by creating a dissonance in the poetic illustration of these war scenes. This spectrum of works was chosen to question the drastic reality of frontiers and to highlight diverse ways of escaping the individual significance of experience in order to reach the perception of collective faith.
Curated by CCA, The Center for Contemporary Art, Nicola Trezzii, Danielle Gorodenzik, Bar Goren, Judith Lenglart. Supported by Ronnie Duek.
artists
video greenhouse fresh paint art fair #10
no frontiers
The four video works selected for the Video Greenhouse of Fresh Paint Art Fair 10 explore geographical, conceptual, and psychological boundaries and representations of memory. What are boundaries made of? What are the limits between imaginary and conventional frontiers? By giving a face and a voice to an anonymous figure, the artist Roni Karfiol (The Aegean Sea, 2016) questions our perception of the refugee crisis and the role that technology plays in the way we relate to this issue. Differently, Tal Ilan (Untitled, 2016) confronts the boundaries of the psychiatric system – as well as her own limits – through repetitive phone calls. Subverting gender conventions by featuring women who recite the Kaddish (Kaddish, 2017) in their own individual harmony, Yael Serlin highlights the power of words and the ambivalence between the individual and the collective significance of this ritual. In the animation video War Marks (2017), Meshi Koplewitz reconstitutes a narrative from her childhood memories in the kibbutz, near the borders with Syria and Lebanon. The artist underlines the ambivalence of these episodes by creating a dissonance in the poetic illustration of these war scenes. This spectrum of works was chosen to question the drastic reality of frontiers and to highlight diverse ways of escaping the individual significance of experience in order to reach the perception of collective faith.
Curated by CCA, The Center for Contemporary Art, Nicola Trezzii, Danielle Gorodenzik, Bar Goren, Judith Lenglart. Supported by Ronnie Duek.
artists
past
March-May, 2020
An Instagram Live segment where Danielle selects and discusses art books from her personal library.
January 1, 2020, at 18:00
A talk with author Dax Dasilva about his artist book "Age of Union" moderated by Danielle Gorodenzik. "Age of Union" is a guide for igniting today's changemaker with four pillars: leadership, culture, spirituality, and nature. The discussion will be about how artists can be important changemakers and how culture itself can be a force for change.
Cuckoo's Nest
No'am St 3, Tel Aviv-Yafo
December 18-20, 2019
Hansen House
Gdalyahu Alon St 14, Jerusalem
November 29, 2019, at 10:00
Hansen House
Gdalyahu Alon St 14, Jerusalem
May 30 - June 3, 2019
Jury Member for the Video and New Media Greenhouse at Fresh Paint Art Fair 11
Fresh Paint Art Fair 11
Thursday, January 31, 18:30
Artist Talk with Cyrus Kabiru moderated by Danielle Gorodenzik
Bezalel Academy of Art and Design, MFA Department
Derech Salame 60, Tel Aviv
Thursday & Friday, December 5-6, 2018
Hansen House
Gdalyahu Alon St 14, Jerusalem
Friday, November 9, 2018, 12:00
Draw Days at the Red House, Who sponsors the Artist?
Discussion with Iris Rywkind Ben Zour – director of Outset Contemporary Art Fund, Vardit Gross curator from Artport Tel Aviv, and Amir Gabriel S founder of Sussie's Art bay Tel-Aviv moderated by Danielle Gorodenzik.
Red House
Yisra'el mi-Salant St 39, Telaviv-Yafo
Friday, October 6, 2017, 11:30
Gomlei Data Curator Talk and Tour
Hansen House
Gdalyahu Alon St 14, Jerusalem
